Process
When To Drop A Writer
Sometimes, there will arise a problem between writer and artist. There are plenty of reasons for this to happen, and when it happens, the adult thing to do is to just message the other person that you’ll be breaking off business dealings with the person and then going on to the next project. You can negotiate, especially if you have a split-profits deal, so avoid blocking them for as long as possible (although in some cases a clean break is best). Each situation is unique, so get as much advice as possible before making a rash decision. Also, remember that in business, paranoia is a good thing: Keep records of every interaction. How you’ll proceed is up to you when you decide to break up, but something needs to be done.
By Jamais Jochimabout a month ago in Art
South Korea’s Construction Equipment Market: Innovation, Growth, and Future Outlook. AI-Generated.
Why Construction Equipment Is Gaining Attention in South Korea South Korea’s skyline is changing rapidly. From new residential complexes to high-tech infrastructure projects, construction activity is more dynamic than ever. Behind these developments lies an often-overlooked hero: construction equipment. Cranes, excavators, loaders, and other machinery are quietly enabling some of the country’s most ambitious building projects.
By Kim Soo hyunabout a month ago in Art
Essence, Embodiment, and Relational Reality
The Failure of Reduction and the Need for Synthesis There is a persistent failure in many modern attempts to explain what a human being is. Some frameworks reduce the person entirely to matter, insisting that identity, consciousness, morality, and meaning are nothing more than emergent properties of physical processes. Other frameworks move in the opposite direction, detaching spirit from reason and grounding belief in intuition alone, often at the cost of coherence or accountability. Both approaches fail because both misunderstand essence. One denies that essence exists at all. The other treats it as something vague and undefinable.
By Peter Thwing - Host of the FST Podcastabout a month ago in Art
Jim Sloan
By Brian D’Ambrosio At 90, Jim Sloan has lived several lifetimes’ worth of work—carpenter, sign painter, excavator, sawmiller, road-builder and the go-to rattlesnake remover of Galisteo, New Mexico. Art may be the through-line, but it has never been the source of his income, nor the center of his universe. Sloan has always kept one foot in the studio and the other in the soil, without bothering to decide which world he truly belongs to. The truth is that he fits cleanly into neither, and he has long since stopped trying.
By Brian D'Ambrosio 2 months ago in Art
The Crossroads of Becoming
I found it by accident. Tucked between a laundromat and a shuttered bookstore, half-hidden by ivy and time, stood a rusted phone booth. Not the sleek glass kind from movies, but an old metal one—peeling paint, cracked receiver, a dial so stiff it groaned when turned. No one had used it in years. Probably decades.
By KAMRAN AHMAD2 months ago in Art
Art Isn’t Escape — It’s Translation
People often speak of art as a doorway out—an exit from reality, a refuge from pain, a soft place to land when the world grows loud. They say we read to forget, paint to flee, write to disappear. But the longer I live, the less that idea holds. Art has never taken me away from life. It has taken me deeper into it.
By Jhon smith2 months ago in Art
